@inproceedings{epure-etal-2020-modeling,
title = "Modeling the Music Genre Perception across Language-Bound Cultures",
author = "Epure, Elena V. and
Salha, Guillaume and
Moussallam, Manuel and
Hennequin, Romain",
editor = "Webber, Bonnie and
Cohn, Trevor and
He, Yulan and
Liu, Yang",
booktitle = "Proceedings of the 2020 Conference on Empirical Methods in Natural Language Processing (EMNLP)",
month = nov,
year = "2020",
address = "Online",
publisher = "Association for Computational Linguistics",
url = "https://aclanthology.org/2020.emnlp-main.386",
doi = "10.18653/v1/2020.emnlp-main.386",
pages = "4765--4779",
abstract = "The music genre perception expressed through human annotations of artists or albums varies significantly across language-bound cultures. These variations cannot be modeled as mere translations since we also need to account for cultural differences in the music genre perception. In this work, we study the feasibility of obtaining relevant cross-lingual, culture-specific music genre annotations based only on language-specific semantic representations, namely distributed concept embeddings and ontologies. Our study, focused on six languages, shows that unsupervised cross-lingual music genre annotation is feasible with high accuracy, especially when combining both types of representations. This approach of studying music genres is the most extensive to date and has many implications in musicology and music information retrieval. Besides, we introduce a new, domain-dependent cross-lingual corpus to benchmark state of the art multilingual pre-trained embedding models.",
}
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<abstract>The music genre perception expressed through human annotations of artists or albums varies significantly across language-bound cultures. These variations cannot be modeled as mere translations since we also need to account for cultural differences in the music genre perception. In this work, we study the feasibility of obtaining relevant cross-lingual, culture-specific music genre annotations based only on language-specific semantic representations, namely distributed concept embeddings and ontologies. Our study, focused on six languages, shows that unsupervised cross-lingual music genre annotation is feasible with high accuracy, especially when combining both types of representations. This approach of studying music genres is the most extensive to date and has many implications in musicology and music information retrieval. Besides, we introduce a new, domain-dependent cross-lingual corpus to benchmark state of the art multilingual pre-trained embedding models.</abstract>
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%0 Conference Proceedings
%T Modeling the Music Genre Perception across Language-Bound Cultures
%A Epure, Elena V.
%A Salha, Guillaume
%A Moussallam, Manuel
%A Hennequin, Romain
%Y Webber, Bonnie
%Y Cohn, Trevor
%Y He, Yulan
%Y Liu, Yang
%S Proceedings of the 2020 Conference on Empirical Methods in Natural Language Processing (EMNLP)
%D 2020
%8 November
%I Association for Computational Linguistics
%C Online
%F epure-etal-2020-modeling
%X The music genre perception expressed through human annotations of artists or albums varies significantly across language-bound cultures. These variations cannot be modeled as mere translations since we also need to account for cultural differences in the music genre perception. In this work, we study the feasibility of obtaining relevant cross-lingual, culture-specific music genre annotations based only on language-specific semantic representations, namely distributed concept embeddings and ontologies. Our study, focused on six languages, shows that unsupervised cross-lingual music genre annotation is feasible with high accuracy, especially when combining both types of representations. This approach of studying music genres is the most extensive to date and has many implications in musicology and music information retrieval. Besides, we introduce a new, domain-dependent cross-lingual corpus to benchmark state of the art multilingual pre-trained embedding models.
%R 10.18653/v1/2020.emnlp-main.386
%U https://aclanthology.org/2020.emnlp-main.386
%U https://doi.org/10.18653/v1/2020.emnlp-main.386
%P 4765-4779
Markdown (Informal)
[Modeling the Music Genre Perception across Language-Bound Cultures](https://aclanthology.org/2020.emnlp-main.386) (Epure et al., EMNLP 2020)
ACL