label	text
0	whether jason x is this bad on purpose is never clear .
0	while this film has an ` a ' list cast and some strong supporting players , the tale -- like its central figure , vivi -- is just a little bit hard to love .
0	truly terrible .
0	kaufman 's script is never especially clever and often is rather pretentious .
0	feels shrill , simple and soapy .
0	it 's tough to be startled when you 're almost dozing .
0	i ca n't remember the last time i saw worse stunt editing or cheaper action movie production values than in extreme ops .
0	been there done that .
0	the film is so bad it does n't improve upon the experience of staring at a blank screen .
0	throughout all the tumult , a question comes to mind : so why is this so boring ?
0	problem is , we have no idea what in creation is going on .
0	these self-styled athletes have banged their brains into the ground so frequently and furiously , their capacity to explain themselves has gone the same way as their natural instinct for self-preservation .
0	bigelow handles the nuclear crisis sequences evenly but milks drama when she should be building suspense , and drags out too many scenes toward the end that should move quickly .
0	wanders all over the map thematically and stylistically , and borrows heavily from lynch , jeunet , and von trier while failing to find a spark of its own .
0	pair that with really poor comedic writing ... and you 've got a huge mess .
0	below is well below expectations .
0	jaglom offers the none-too-original premise that everyone involved with moviemaking is a con artist and a liar .
0	anyone who suffers through this film deserves , at the very least , a big box of consolation candy .
0	no cute factor here ... not that i mind ugly ; the problem is he has no character , loveable or otherwise .
0	director douglas mcgrath takes on nickleby with all the halfhearted zeal of an 8th grade boy delving into required reading .
0	with nary a glimmer of self-knowledge , -lrb- crane -rrb- becomes more specimen than character -- and auto focus remains a chilly , clinical lab report .
0	jaw-droppingly superficial , straining to get by on humor that is not even as daring as john ritter 's glory days on three 's company .
0	in old-fashioned screenwriting parlance , ms. shreve 's novel proved too difficult a text to ` lick , ' despite the efforts of a first-rate cast .
0	the only thing to fear about `` fear dot com '' is hitting your head on the theater seat in front of you when you doze off thirty minutes into the film .
0	ultimately too repellent to fully endear itself to american art house audiences , but it is notable for its stylistic austerity and forcefulness .
0	what jackson has done is proven that no amount of imagination , no creature , no fantasy story and no incredibly outlandish scenery
0	a 94-minute travesty of unparalleled proportions , writer-director parker seems to go out of his way to turn the legendary wit 's classic mistaken identity farce into brutally labored and unfunny hokum .
0	it 's clotted with heavy-handed symbolism , dime-store psychology and endless scenic shots that make 105 minutes seem twice as long .
0	it 's not original enough .
0	... a bland murder-on-campus yawner .
0	terrible .
0	the movie is undone by a filmmaking methodology that 's just experimental enough to alienate the mainstream audience while ringing cliched to hardened indie-heads .
0	there 's nothing to gain from watching they .
0	beware the quirky brit-com .
0	the script by vincent r. nebrida ... tries to cram too many ingredients into one small pot .
0	... post-september 11 , `` the sum of all fears '' seems more tacky and reprehensible , manipulating our collective fear without bestowing the subject with the intelligence or sincerity it unequivocally deserves .
0	disreputable doings and exquisite trappings are dampened by a lackluster script and substandard performances .
0	cheap , vulgar dialogue and a plot that crawls along at a snail 's pace .
0	you can fire a torpedo through some of clancy 's holes , and the scripters do n't deserve any oscars .
0	brosnan 's finest non-bondish performance yet fails to overcome the film 's manipulative sentimentality and annoying stereotypes .
0	these characters become wearisome .
0	some of the characters die and others do n't , and the film pretends that those living have learned some sort of lesson , and , really , nobody in the viewing audience cares .
0	the effort is sincere and the results are honest , but the film is so bleak that it 's hardly watchable .
0	as steamy as last week 's pork dumplings .
0	while it is welcome to see a chinese film depict a homosexual relationship in a mature and frank fashion , lan yu never catches dramatic fire .
0	the most horrific movie experience i 've had since `` ca n't stop the music . ''
0	staggeringly dreadful romance .
0	ignoring that , he made swimfan anyway
0	the author 's devotees will probably find it fascinating ; others may find it baffling .
0	utter mush ... conceited pap .
1	it 's never dull and always looks good .
1	the new insomnia is a surprisingly faithful remake of its chilly predecessor , and when it does elect to head off in its own direction , it employs changes that fit it well rather than ones that were imposed for the sake of commercial sensibilities .
1	strange occurrences build in the mind of the viewer and take on extreme urgency .
1	the film is a hoot , and is just as good , if not better than much of what 's on saturday morning tv especially the pseudo-educational stuff we all ca n't stand .
1	no worse a film than breaking out , and breaking out was utterly charming .
1	works because reno does n't become smug or sanctimonious towards the audience .
1	there 's plenty to impress about e.t.
1	runs on the pure adrenalin of pacino 's performance .
1	screenwriter dan schneider and director shawn levy substitute volume and primary colors for humor and bite .
1	... a triumph of emotionally and narratively complex filmmaking .
1	the actors are simply too good , and the story too intriguing , for technical flaws to get in the way .
1	the film exudes the urbane sweetness that woody allen seems to have bitterly forsaken .
1	juliette binoche 's sand is vivacious , but it 's hard to sense that powerhouse of 19th-century prose behind her childlike smile .
1	a brisk , reverent , and subtly different sequel .
1	based on dave barry 's popular book of the same name , the movie benefits from having a real writer plot out all of the characters ' moves and overlapping story .
1	by turns fanciful , grisly and engagingly quixotic .
1	like all great films about a life you never knew existed , it offers much to absorb and even more to think about after the final frame .
1	schütte 's dramatic snapshot of the artist three days before his death offers an interesting bit of speculation as to the issues brecht faced as his life drew to a close .
1	as immaculate as stuart little 2 is , it could be a lot better if it were , well , more adventurous .
1	the movie 's captivating details are all in the performances , from foreman 's barking-mad taylor to thewlis 's smoothly sinister freddie and bettany\/mcdowell 's hard-eyed gangster .
1	washington overcomes the script 's flaws and envelops the audience in his character 's anguish , anger and frustration .
1	insanely hilarious !
1	about schmidt belongs to nicholson .
1	a strong script , powerful direction and splendid production design allows us to be transported into the life of wladyslaw szpilman , who is not only a pianist , but a good human being .
1	but the actors make this worth a peek .
1	what could have easily become a cold , calculated exercise in postmodern pastiche winds up a powerful and deeply moving example of melodramatic moviemaking .
1	a sharp satire of desperation and cinematic deception .
1	... is funny in the way that makes you ache with sadness -lrb- the way chekhov is funny -rrb- , profound without ever being self-important , warm without ever succumbing to sentimentality .
1	terrific casting and solid execution give all three stories life .
1	the performances are remarkable .
1	secretary manages a neat trick , bundling the flowers of perversity , comedy and romance into a strangely tempting bouquet of a movie .
1	hugh grant , who has a good line in charm , has never been more charming than in about a boy .
1	a film that will be best appreciated by those willing to endure its extremely languorous rhythms , waiting for happiness is ultimately thoughtful without having much dramatic impact .
1	cool .
1	clint eastwood 's blood work is a lot like a well-made pb & j sandwich : familiar , fairly uneventful and boasting no real surprises -- but still quite tasty and inviting all the same .
1	with few respites , marshall keeps the energy humming , and his edits , unlike those in moulin rouge , are crisp and purposeful without overdoing it .
1	the beautifully choreographed kitchen ballet is simple but absorbing .
1	forget about one oscar nomination for julianne moore this year - she should get all five .
1	-lrb- `` take care of my cat '' -rrb- is an honestly nice little film that takes us on an examination of young adult life in urban south korea through the hearts and minds of the five principals .
1	one of those movies that catches you up in something bigger than yourself , namely , an archetypal desire to enjoy good trash every now and then .
1	it 's an ambitious film , and as with all ambitious films , it has some problems .
1	parts seem like they were lifted from terry gilliam 's subconscious , pressed through kafka 's meat grinder and into buñuel 's casings
1	easily one of the best and most exciting movies of the year .
1	it does give a taste of the burning man ethos , an appealing blend of counter-cultural idealism and hedonistic creativity .
1	tends to pile too many `` serious issues '' on its plate at times , yet remains fairly light , always entertaining , and smartly written .
1	the movie does its best to work us over , with second helpings of love , romance , tragedy , false dawns , real dawns , comic relief , two separate crises during marriage ceremonies , and the lush scenery of the cotswolds .
1	japanese director shohei imamura 's latest film is an odd but ultimately satisfying blend of the sophomoric and the sublime .
1	it is most remarkable not because of its epic scope , but because of the startling intimacy it achieves despite that breadth .
1	harmless fun .
1	both heartbreaking and heartwarming ... just a simple fable done in an artless sytle , but it 's tremendously moving .