AI-empowered music processing is a diverse feld that encompasses dozens of tasks, ranging from generation tasks (e.g., timbre synthesis) to comprehension tasks (e.g., music classifcation). For developers and amateurs, it is very diffcult to grasp all of these task to satisfy their requirements in music processing, especially considering the huge differences in the representations of music data and the model applicability across platforms among various tasks. Consequently, it is necessary to build a system to organize and integrate these tasks, and thus help practitioners to automatically analyze their demand and call suitable tools as solutions to fulfill their requirements. Inspired by the recent success of large language models (LLMs) in task automation, we develop a system, named MusicAgent, which integrates numerous music-related tools and an autonomous workflow to address user requirements. More specifically, we build 1) toolset that collects tools from diverse sources, including Hugging Face, GitHub, and Web API, etc. 2) an autonomous workflow empowered by LLMs (e.g., ChatGPT) to organize these tools and automatically decompose user requests into multiple sub-tasks and invoke corresponding music tools. The primary goal of this system is to free users from the intricacies of AI-music tools, enabling them to concentrate on the creative aspect. By granting users the freedom to effortlessly combine tools, the system offers a seamless and enriching music experience. The code is available on GitHub along with a brief instructional video.

Contrastive learning has recently shown great potential to improve text-based knowledge graph completion (KGC). In this paper, we propose to learn a more semantically structured entity representation space in text-based KGC via hard negatives mining. Specifically, we novelly leverage a sequence-to-sequence architecture to generate high-quality hard negatives. These negatives are sampled from the same decoding distributions as the anchor (or correct entity), inherently being semantically close to the anchor and thus enjoying good hardness. A self-information-enhanced contrasting strategy is further incorporated into the Seq2Seq generator to systematically diversify the produced negatives. Extensive experiments on three KGC benchmarks demonstrate the sound hardness and diversity of our generated negatives and the resulting performance superiority on KGC.