Travel planning is a challenging and time-consuming task that aims to find an itinerary which satisfies multiple, interdependent constraints regarding flights, accommodations, attractions, and other travel arrangements. In this paper, we propose To the Globe (TTG), a real-time demo system that takes natural language requests from users, translates it to symbolic form via a fine-tuned Large Language Model, and produces optimal travel itineraries with Mixed Integer Linear Programming solvers. The overall system takes ~5seconds to reply to the user request with guaranteed itineraries. To train TTG, we develop a synthetic data pipeline that generates userrequests, flight and hotel information in symbolic form without human annotations, based on the statistics of real-world datasets, and fine-tune an LLM to translate NL user requests to their symbolic form, which is sent to the symbolic solver to compute optimal itineraries. Our NL-symbolic translation achieves ~91% exact match in a backtranslation metric (i.e., whether the estimated symbolic form of generated natural language matches the groundtruth), and its returned itineraries have a ratio of 0.979 compared to the optimal cost of the ground truth user request. When evaluated by users, TTG achieves consistently high Net Promoter Scores (NPS) of 35-40% on generated itinerary.

How do standards of poetic beauty change as a function of time and expertise? Here we use computational methods to compare the stylistic features of 359 English poems written by 19th century professional poets, Imagist poets, contemporary professional poets, and contemporary amateur poets. Building upon techniques designed to analyze style and sentiment in texts, we examine elements of poetic craft such as imagery, sound devices, emotive language, and diction. We find that contemporary professional poets use significantly more concrete words than 19th century poets, fewer emotional words, and more complex sound devices. These changes are consistent with the tenets of Imagism, an early 20thcentury literary movement. Further analyses show that contemporary amateur poems resemble 19th century professional poems more than contemporary professional poems on several dimensions. The stylistic similarities between contemporary amateur poems and 19th century professional poems suggest that elite standards of poetic beauty in the past “trickled down” to influence amateur works in the present. Our results highlight the influence of Imagism on the modern aesthetic and reveal the dynamics between “high” and “low” art. We suggest that computational linguistics may shed light on the forces and trends that shape poetic style.