Natural Language Processing (NLP) research is increasingly focusing on the use of Large Language Models (LLMs), with some of the most popular ones being either fully or partially closed-source. The lack of access to model details, especially regarding training data, has repeatedly raised concerns about data contamination among researchers. Several attempts have been made to address this issue, but they are limited to anecdotal evidence and trial and error. Additionally, they overlook the problem of indirect data leaking, where modelsare iteratively improved by using data coming from users. In this work, we conduct the first systematic analysis of work using OpenAI’s GPT-3.5 and GPT-4, the most prominently used LLMs today, in the context of data contamination. By analysing 255 papers and considering OpenAI’s data usage policy, we extensively document the amount of data leaked to these models during the first year after the model’s release. We report that these models have been globally exposed to ∼4.7M samples from 263 benchmarks. At the same time, we document a number of evaluation malpractices emerging in the reviewed papers, such as unfair or missing baseline comparisons and reproducibility issues. We release our results as a collaborative project on https://leak-llm.github.io/, where other researchers can contribute to our efforts.

With the fast-growing popularity of current large pre-trained language models (LLMs), it is necessary to dedicate efforts to making them more reliable. In this thesis proposal, we aim to improve the reliability of natural language generation systems (NLG) by researching the semantic accuracy of their outputs. We look at this problem from the outside (evaluation) and from the inside (interpretability). We propose a novel method for evaluating semantic accuracy and discuss the importance of working towards a unified and objective benchmark for NLG metrics. We also review interpretability approaches which could help us pinpoint the sources of inaccuracies within the models and explore potential mitigation strategies.

This paper describes the systems submitted by team6 for ChatEval, the DSTC 11 Track 4 competition. We present three different approaches to predicting turn-level qualities of chatbot responses based on large language models (LLMs). We report improvement over the baseline using dynamic few-shot examples from a vector store for the prompts for ChatGPT. We also analyze the performance of the other two approaches and report needed improvements for future work. We developed the three systems over just two weeks, showing the potential of LLMs for this task. An ablation study conducted after the challenge deadline shows that the new Llama 2 models are closing the performance gap between ChatGPT and open-source LLMs. However, we find that the Llama 2 models do not benefit from few-shot examples in the same way as ChatGPT.

We present a free online demo of THEaiTRobot, an open-source bilingual tool for interactively generating theatre play scripts, in two versions. THEaiTRobot 1.0 uses the GPT-2 language model with minimal adjustments. THEaiTRobot 2.0 uses two models created by fine-tuning GPT-2 on purposefully collected and processed datasets and several other components, generating play scripts in a hierarchical fashion (title → synopsis → script). The underlying tool is used in the THEaiTRE project to generate scripts for plays, which are then performed on stage by a professional theatre.

We experiment with adapting generative language models for the generation of long coherent narratives in the form of theatre plays. Since fully automatic generation of whole plays is not currently feasible, we created an interactive tool that allows a human user to steer the generation somewhat while minimizing intervention. We pursue two approaches to long-text generation: a flat generation with summarization of context, and a hierarchical text-to-text two-stage approach, where a synopsis is generated first and then used to condition generation of the final script. Our preliminary results and discussions with theatre professionals show improvements over vanilla language model generation, but also identify important limitations of our approach.